Danny's Diary

Danny's Diary

- Danny Jones : Singing News editor-at-large

And The Band (Used To) Played On...(#442)

Tuesday, April 21, 2009

This past weekend, I was in Tulsa, Okla., for the annual SingFest event hosted by Frank Arnold. After seeing both Jason Crabb and Gold City perform with a complete band each, and after a lengthy conversation with McCray Dove of the Dove Brothers - not to mention how I've seen several audiences come alive when a group with a live band comes on stage - I'm here to say that we probably didn't realize how good things were when every group had a band.

At the risk of opening up the old arguments of finances, personality conflicts, bus space and equipment space, let me just say that I understand all of that. There are valid points there, but has anyone considered the fact that the loss of the band has created something that is an ever-growing problem?

Specifically, it's this: Unless you are singer, a piano player, or perhaps a bass player, where else can you go on stage with a Southern Gospel group these days? Taking that a step further, let's say you can't sing a note, but put a guitar in your hands and you become a performing machine. And you want to be in Southern Gospel music.

Where are you going to go?

Exactly.

I remember at concerts of my earlier days where I'd see young musicians gathered around the musicians of the bands of the Hinsons, Hemphills, Kingsmen, McGruders (and dozens of others), trying to learn how a particular lick was played or how the pianist filled the holes between the verse and chorus. Those "kids" were excited. They wanted to learn. They wanted to play on stage. They wanted to be a part of Southern Gospel music.

Now that most bands are found in the instant replay machine, there are not too many opportunities for a young musician to break into Southern Gospel music. So those budding players go into country, rock, or some other type of music. Worse yet, some let their God-given talents fall by the wayside.

I don't have the answers to all the "Buts" and "What ifs" some will throw my way when I say this, but I think Southern Gospel music might experience a little growth if the band still played on. Maybe some belt-tightening in some other areas might open up enough funds for some groups to put at least a three-piece band on the road again.

Maybe audiences that have been luke-warm would take more interest in what they're seeing on stage. Likewise, more people might be found at concerts because a friend told them, "You've got to hear their band - they'll blow you away."

Often, we'll get inquiries from young musicians who'll say, "I play guitar (insert any other instrument you may care to here), and I want to play with a group. How do I get involved?" It's very frustrating, even disheartening, to have to tell them that there is really no option for them right now.

I admit this topic has been run into the ground many times before. But you know, some things should never be totally shelved. And, at the top of that list, in my opinion, is the band.
 

MOST RECENT USER COMMENTS

charlierunnels 5/6/2009 10:58 AM
Where do I begin as to my appreciation for live bands? Admittedly I am biased toward live musicians because of the talents of my family. My wife is a very accomplished on piano, organ, and keyboard and my son is awesome on drims and bass guitar. So much for the bragging. Sound tracks have almost put an end to most people having a desire play a musical instrument. In our church denomination [that WAS ONCE famous for singers and musicians] there is a shortage now on musicians. I totally agree with prior posts that most anyone, even with no talent, can sing a decent song with a track. A friens sums it up best -- "anyone with a ten cent voice can sound great with a million dollar band" [track]. It's Ok with me when a live band misses a note sometimes during a song. I appreciate the humaness of making a mistake in a live band. "GOOD" live bands are worth their weight in gold!

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